Author: Eric

Gothtember (Music Archive #6)

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This will be an examination of the history of Goth music. I know several of my friends are definitely more of an authority on this than I am, but I like to think I know enough. I once again felt compelled to build a bridge between Gen-X and the younger folks who came into the scene a bit later. I know many people who seem to equate Goth and Emo because the scenes share some aesthetics, but the music is vastly different.

My categories for this song-a-day exploration of Goth are as follows:

1) Origins – bands and songs that may or may not be officially “Goth,” but certainly helped spawn the genre
2) The Dark Wave – the emergence of the first Goth bands from a combination of Punk and New Wave
3) The Metal/Industrial Edge – Goth music’s transition into the 90s and influences from hard rock and heavy metal
4) Downtempo – the simultaneous and contrasting movement towards trance and ethereal Goth
5) Lasting Impact – just a couple of post-Goth songs that I want to comment on in terms of how they relate to the genre

As always, this will be a mix of well-known songs and much more obscure ones. (If you know all of them, you’re probably one of the people I was referring to earlier.) However, if you’re familiar with my various FB music series, then you know that the context and flow is important. You may disagree with some of my choices, and that’s fine. Everything is up for discussion and interpretation.

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The 90s Through a Gen-X Lens (Music Archive #5)

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Okay, I’ve been quiet on Facebook for a while, so I think it’s time to flex my song-a-day muscles. This one’s gonna be a little more ambitious, though, so buckle in.

I’ll be talking about hits and trends that I watched happen in the 90s that made me think about earlier music. This will be divided into three sections:

#1 – Giants on the Shoulders of Giants

This will include important songs and artists from the 90s compared with their musical predecessors. In many cases, I will be matching groups that the 90s artists don’t necessarily acknowledge as influences, but they share musical DNA.

#2 – Evolving Artists

This section will be all about how bands change over time – bands that were still active and well-known in the 90s but came from an earlier background. This list will include bands that were still together and artists that went solo or joined other projects.

#3 – Stream of Consciousness

This section will be more about my personal connections to music – songs that made me think of other songs for more free-associative reasons. You may not always see them the same way, but I’ll explain my logic so you can be amused by my connections.

Again, all of this is just about my experience. For those of you who have not seen me do this before, my lists are not meant to be all-encompassing or definitive. It’s just my own musical essay that I want to share.

Oh, and the ambitious part? I’ll be posting two songs per day. I’ll start with the 90s song and then I’ll post the connection in the comments. That’s 62 songs I have prepared for March.

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1987, My Best Year in Music (Music Archive #4)

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For those of you who have looped in here since July of this year, I will warn you that I occasionally do month-long projects of posting and discussing a song each day on a single theme or topic. You’ll find that I take these pretty seriously – perhaps unusually seriously. You’ll notice a couple of things about my posts during the month:

a) I go into a LOT of detail about the song, artist, and culture surrounding them. I curate these projects like collections of art (which I believe they are), so if you like reading descriptions next to paintings, then you should enjoy my approach.

b) I share videos, not just songs. I grew up in an era when MTV ruled our collective consciousness, so for me the video is often as important as the song itself. I know that Spotify-minded folks may have a difficult time with this, but I ask you to consider watching the videos for the full impact.

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80s in July (Music Archive #3)

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I was reflecting recently that people who didn’t grow up in the 80s have settled on just a few go-to music videos for understanding the early 80s look and sound, but there’s so much more out there that I wish they could experience. It’s not just Take on Me and Africa.

So I’m going to be exploring 31 of what I consider to be the iconic videos of the 80s that have become somewhat forgotten. Make sure you watch, because the videos are absolutely as important as the songs.

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39 Years in 39 Songs (Music Archive #2)

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Note – This entry from 2013 is the most personal of these lists. If you’re interested primarily in music history, this may be one to skip. But if you want to know more about me or if you are generally interested in one person’s life journey as expressed through music, read on.

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I have decided to begin a new Facebook song-a-day project. This one is going to be more personal than prior projects, because it is going to attempt to convey the story of my own life in song. It’s also going to be slightly longer than the one-month limit I’ve put on previous projects, because I am going to be posting one song per day for each full year of my life, ending on my birthday. That’s 39 years as of this November 20th. (I was originally going to do this for my 40th birthday, but I decided I didn’t want to be starting the project around the time of my wedding, so…39 it is.)

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A Month of Protest Songs (Music Archive #1)

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Note – This is the first archive of my “song-a-day month” posts from my personal Facebook page. My first ever effort to do such a list of songs was in December of 2011, largely in response to social media discourse I saw regarding the Occupy movement. Although that particular protest movement turned out to be short-lived, it absolutely laid the groundwork for future organization in the decade that followed. Also, I have to mention that my political views – partially in response to increasing fascism – have only drifted further leftward. My comments for this list feel downright mild to my older eyes.

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As the Occupiers face more and more government interference, as popular support for their movement begins to wane, I thought it was important to have a renewal of purpose. I decided that for the month of december I would do another song-a-day project, but this one will be a month of protest songs. We need to remember why protest matters, not only on this issue but on many important issues. Democracy does not begin and end with voting; it is maintained through the constant exercise of our voice and will.

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Ep IX – The Treatmenting

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About a year ago, my Star Wars Book Club decided to have some fun and create our own fan treatments of what we would have done with an Episode IX of Star Wars. All of them were different, because we each took widely varied approaches – from “hit similar themes” or even “very slight script doctoring” to “do whatever the hell you want” – but we enjoyed them much more than the often-confusing retcon that was The Rise of Skywalker.

I have not previously shared this treatment outside of the book club, because mine is EXTREMELY inside-baseball, loaded with references to books, series, and games across the Star Wars canon. But given the recent JJ interview in which he admits that “having a plan probably would have been better” (OH REALLY JJ?), I want to show you that it isn’t even necessary to have a trilogy-crossing plan. All it takes is trusting other Star Wars creators and giving their additions the respect they were due.

And if you don’t like my treatment, I bet you would have liked at least one of the others. Or make your own. I bet I’d like it better than JJ’s. Anyway, here we go with the opening crawl:

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Deep Thoughts 9

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In which I overanalyze my reactions to my first ever full watch-through of Deep Space 9

I have always had a bit of a sideways relationship with Star Trek. I think that Undiscovered Country, not Wrath of Khan, is the best of the O-Trek movies. I don’t mind Generations and Insurrection as much as everyone else seems to. And I tried to get into DS9 when it first aired, but it just did not grab me.

Of course, I found out later that the first two seasons were widely considered the weakest, so I was willing to believe people who called it “the best Trek,” even though I hadn’t seen it. Finally, during quarantine, I settled down and did a marathon watch straight through (with one exception, as noted below) of every episode in all seven seasons.

Those who are familiar with my reactions to media will not be surprised that my take on the show is very different from popular opinion. My favorite parts of the series are not the things most people cite, and I do not share the positive opinions of the aspects most people tout as its highlights.

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Imagining a Spectrum of Masculinity

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Much of the discourse around modern understandings of gender identity, gender expression, biological assignment, sexual attraction, romantic attraction, et al. revolves around the idea of a spectrum. People may try to represent such spectra as scales, grids, Venn diagrams, or even layer cakes. I hear generally positive things about the Gender Unicorn, but I am also a bit wary because of how often these kinds of things are thrown up on the internet with no research or vetting. (Here’s a hilarious article deconstructing a few such diagrams.)

Yet there is value even in flawed representations because of the conversations they generate. They may need to be improved, but their very existence may inspire someone to improve them. And in the meantime we expand our visual and verbal vocabulary for discussing these important concepts of identity, which is always a positive. I believe that increased vocabulary brings increased clarity of communication and thought.

But there is clarity we’re missing, particularly in the category of gender experience and expression.

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Characters We Love and the Creators Who Don’t

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Several of the fandom arguments I’ve seen recently are more similar than they seem at first, not just because of how they express (though that is also important). They are similar at what I believe to be a root cause level, and it has to do with my favorite subject – subconscious biases. In this case, the subconscious biases belong to the authors/creators.

In this article, I’m going to be arguing about base axioms, which is dangerous ground. I’m not going to say that one is inherently better than another, but simply to state my personal preference and (here’s the sticky part) that the other causes the exact problems we see in audience reactions to certain fandoms.

With all of that dancing around out of the way, let’s get to the discussion.

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